The Marche funebre second movement of Charles-Valentin Alkan's Symphony for solo piano, Op. 39, No. 5. Alkan's "Funeral March on the Death of a Parrot" for four-part chorus, three bassoons, and oboe The second movement of Ludwig van Beethoven's Symphony No. 3 (Eroica). The third movement of Beethoven's Piano Sonata No. 12 (written in the key of A-flat minor with a middle section in A-flat major). A funeral march, formerly attributed to Beethoven (WoO Anhang 13), believed to be by Johann Heinrich Walch, played at the Remembrance Day Cenotaph Service. The Funeral March for the Final Scene of Hamlet by Hector Berlioz. The eighth variation from Benjamin Britten's Variations on a Theme of Frank Bridge, Op. 10. Marche funebre for piano written by Frederic Chopin in 1837, which became the 3rd movement of his Piano Sonata No. 2 in B-flat minor, Op. 35. Chopin's Marche funebre for piano in C minor, Op. posth. 72, No. 2. The funeral march in Ferdinand David's Concertino for Trombone and Orchestra. The Trauermarsch written by Anton Diabelli in memory of Michael Haydn for solo guitar. The funeral march from Zden?k Fibich's opera The Bride of Messina. The "Funeral Music" for Akhnaten's father in Act I of the opera Akhnaten, by Philip Glass. The Funeral March of a Marionette by Charles Gounod (1872); this later became known to contemporary audiences as the theme music used for the Alfred Hitchcock Presents television series (1955?65) The Funeral March in Memory of Rikard Nordraak by Edvard Grieg.
The Marche funebre et chant seraphique (Funeral March and Seraphic Song), for organ, Op.17, No.3, by Alexandre Guilmant The Dead March from Saul by George Frideric Handel. The third movement of Pyotr Ilyich Tchaikovsky's String Quartet No.3 in E-Flat Minor Op.30
A funeral march for Napoleon Bonaparte, in Hary Janos, by Zoltan Kodaly, after Napoleon has been defeated by the hero Hary Janos.
Franz Liszt's Marche funebre, En memoire de Maximilian I, Empereur du Mexique ("Funeral march, In memory of Maximilian I, Emperor of Mexico") from Annees de pelerinage, Book 3.
Liszt's Trauervorspiel und Trauermarsch, S.206 (written in 1885 (the year before he died), and published three years later in 1888)
The third movement of Gustav Mahler's first symphony, "Funeral March in the Manner of Callot" based on "Bruder Martin", the German minor-key variant of the children's song "Frere Jacques.", and the Trauermarsch opening movement of his Symphony No. 5.
The funeral march for Liu in the opera Turandot, by Giacomo Puccini. The March "sounded before her chariot" from Henry Purcell's Music for the Funeral of Queen Mary. The fourth movement of Alexander Scriabin's Piano Sonata No. 1. John Serry Sr.'s Elegy for Organ (1984 Revised 1991) The "Funeral March:" Adagio Molto from Dmitri Shostakovich's String Quartet No. 15. The funeral march In Memoriam by Jean Sibelius "Siegfried's Funeral March" from Gotterdammerung by Richard Wagner.
たとえば、第1楽章末の「Die Totenuhr」を「死の時」などと誤訳すると 人間的になってしまって、音楽が描く客観的な死とは相いれない ことになってしまいます。 実際スコアを見ると、ピアニッシモで淡々と音楽が続いているだけで そこには、リタルダンドもディミニュエンドも表情指示もありません。 また、ヴェルナー・ヴォルフは次のようにも述べています。 「die schlaegt unerbittlich … ohne Nachlassen, bis alles aus ist.」 ＊ａｅはａのウムラウト
